We say primarily that the priority of this struggle is class. That Marx and Lenin and Che Guevara and Mao Tse-Tung, and anybody else who ever said or knew or practiced anything about revolution, always said that a revolution is a class struggle.
If you're always battling against getting older, you're always going to be unhappy, because it's going to happen anyhow.
I was just like that anyhow - wherever I used to work, jobs-wise, Iād always be in the canteen talking to people and laughing and everything.
I've spent my life pursing excellence as an artist, which is what I always wanted to do anyhow.
I'm not a follower. I'm a leader. And anyone who speaks their mind is always criticised.
I was excited at something new, always liked something new, but give credit to everybody who helped. I didn't do anything alone but try to go to the root of the question and succeeded there.
I've always been the kid to want to do anything and everything.
There was never anything else I wanted to pursue. It was always theater, and movies are a fairly new thing.
Always try to use the language so as to make quite clear what you mean and make sure your sentence couldn't mean anything else.
I realise that certain actors project their own image onto the screen - those who are the same on as they are off. But I've never had the necessary statistics to be able to do that sort of thing, and so, anyway, I always wanted to be a character actor.
I didn't feel that I really fit in anywhere. So when I was young I always had to prove myself through my sporting ability.
The artist's world is limitless. It can be found anywhere, far from where he lives or a few feet away. It is always on his doorstep.
I'm here. I'm not going anywhere. No matter what the injury - unless it's completely debilitating - I'm going to be the same player I've always been. I'll figure it out. I'll make some tweaks, some changes, but I'm still coming.
Family has always been the number one priority no matter what happens anywhere else.
When I was 5, some financial things happened, and I moved seven times in a year. We moved from apartment to apartment, sometimes living with friends. My mom would always say, 'Don't get comfortable, because we may not be here long.'
I didn't grow up in a house - we moved a lot, and we always lived in apartments. But we looked a lot; we went to open houses almost every weekend. I think that's why I always wanted a house.
I've never been able to relate to apathy. I've always been doing stuff, been in action, making music or working just to get by.
I can always go back to Jane Austen. 'Mansfield Park' is full of wise aphorisms and relevant observations of people.
I was always a kid trying to make a buck. I borrowed a dollar from my dad, went to the penny candy store, bought a dollar's worth of candy, set up my booth, and sold candy for five cents apiece. Ate half my inventory, made $2.50, gave my dad back his dollar.
I had been very impressed with the voiceover of 'Apocalypse Now,' with Martin Sheen's voice. That was a great voiceover; it really internalized the Martin Sheen character, who was essentially fairly low key and didn't say a lot during the whole movie. But he thought a lot, so I always thought that was really great.
