I am an engineer, not just an architect, so I've always been motivated by technique or technology. As soon as technology moves just a little bit, it changes architecture.
You don't always have to be doing something. You can just be, and that's plenty.
Whenever I make a blasphemous joke, I always say that I believe in a God big enough to know that I'm just kidding. How can God not know that I'm kidding? And also, how could God be offended at a thing that he made not believing in him?
I say it often, that I feel like I'm just living out the Story Mode in 'Smackdown vs. RAW' that I always used to play.
When I preaches, I has just one text to preach from, an' I always preaches from this one. My text is, 'When I found Jesus.'
I was always a singer and a dancer, and I always wanted to be an actress. For me, it's all just one thing.
The stage always terrified me. The live audience is just one thing I bewilderingly look back on and say, 'How did I ever participate in that?'
There's always two or three players I like, and why I like them, I can't tell you. There's just something about them I think would be great on a team.
I can watch an episode of Jerry Seinfeld, and by the end, I'm just walking around my house, you know, talking like Jerry Seinfeld. 'What is that? What are you doing? Who is it? What's going' - you know, I just had that thing, when I grew up, I'd just start talking like people. You know, I always had that.
The infinite faith I have in people's ability to understand anything that makes sense has always been justified, finally, by their behavior.
My work has always been the thing that justifies my life.
I think, as a musician and person, Justin Timberlake is someone I've always looked up to.
There's always a Justin Bieber. Ever since I've been around, there's always been one of him.
I've always been a fan of Justin Timberlake.
Younger kids should realize that if dancing is what you wanna do, it's not always gonna be the easiest thing; you're not always going to end up dancing for Justin Timberlake right out the gate.
It is indeed hard for the strong to be just to the weak, but acting justly always has its rewards.
Most of my books have always worked through juxtaposition, jumping through different point of views and time.
I'm always trying to find 'connections' between things. That art is the juxtaposition of a lot of things that seem unrelated but add up to something recognizable.
In Olympia, Washington, many of us were writing songs that were the equivalent of bloodletting: This is the sound a wound makes; this is the screech of a scar. But Mary Timony was always more kaleidoscope than microscope, creating magical worlds replete with weaponry or sorcery.
One meal I'm constantly reminded about is when I ate kangaroo tail in the desert in Australia; it wasn't necessarily my favorite, but I will always remember it.
