The Four Horsemen were limousines and Lear Jets, while DX was trailer parks and outhouses. One was white trash, one was upper crust. I always saw DX and the NWO as the natural rivals at the time.
I live in a constant state of gratitude, thankfulness, and appreciation for the second chance I was given, so anytime in any film, when that is given to someone, I always appreciate it.
We can bring it all down to the subtleties of the shifting of an eye because we know the camera will catch it. That has been a great thing to learn, and it makes it interesting for a guy who has been in it as long as I have.
If we're not a good steward of what God gives us, he takes it away. I think that's what happened. I wasn't a good steward of the gift that he gave me in this line of work. I abused it, so he took it away.
You see the standard hunting show; it's an outdoor television show. A lot of times, it's just a guy sitting in a tree, waiting on an animal. I don't think it does it justice, and I don't think it captures the enjoyment and the splendor of the incredible outdoors and the feeling of being out there.
I look at Samoa Joe, and I've told him a number of times that I see his stuff at 'NXT' and think to myself, 'Man, I could have a great deal of fun with you.' He's a guy I have sort of enjoyed, and one of those sleeper guys that no one talks about.
