The way I've always looked at drag has been a little bit different maybe than other people because the drag community that I started doing drag in is full of trans people and women and people of various educational backgrounds, of different ages.
Uniformity is not very interesting or sustainable - it's boring.
I went to Vassar College for undergraduate and studied literature and queer theory, and all of the above. And then I took a Fulbright scholarship in Russia.
I've always been committed to tuning out the trends of drag and doing styles and fashions and performances that are really true to what I love, to the movie references I've always loved, fashion that speaks to me for whatever reason - no matter what people say.
No matter what you're doing, whether it's a makeup tutorial or an interview or a lip sync, performance is the essence of drag. It is gender performance. Being able to produce a performance is what a superstar has to do.
The political nature of 'Threepenny Opera' is immediately visible. I just think that that's not always a part of acceptable and fun entertainment that we're exposed to - that political side.
