The greatest thing about having done 'Orange' are the doors that have opened for me, and people have been able to see me, like the executives and the casting directors - also, all of the fantastic directors and writers for independent films.
I feel the most confident in whatever I'm feeling at that time. Sometimes it's leather pants, a leather jacket, and a band tee, and it's motorcycle-chic. Then there are times that it's skinny jeans, a tank top, and a denim jacket. It's whatever I'm feeling that day.
My mom is a painter and an artist. She would play music, and she always had very good taste in music, fashion, and art. She was also a young single mom, so I think she had really good style; she was really free... just really inspiring in her own way and allowed me to find the direction I wanted to take in my life.
When I first started in the industry back home in Australia at 18, there was a lot of push and shove as to how I should dress, if I was allowed to cut my hair short, if I had too many tattoos. If I didn't get a campaign, or if I didn't get a role, they would always come back to, 'Well, she dresses like a boy.'
I started off as an Australian model. I had so many knockbacks, having short hair and being rejected, and I always thought: I'm never gonna get to where I want to get unless I start looking more feminine.
I started making my own short films as a way of being able to give myself something to do and to study my craft.
