The old handbook on writing is 'Write what you know.' I come from an autobiographical starting place almost all of the time, but it would be a mistake to presume that I'm not using fiction to extend the narrative.
There are certain choices you make as a songwriter, based on vowel sounds and melody and chord changes.
I don't think that 'The Weight of the World' is all about politics. It's like, how the environment and how the natural topography of this planet would ever fall into a political division, debate, just leaves me confused.
I don't know if I owned a toothbrush until I was 19, maybe. I didn't come from stock that placed any importance on the toothbrush. But a couple of girls I met changed that. And I would do anything to get a girl to pay attention to me long enough that I could feel good about myself.
I concern myself with timelessness all the time. If you're not swinging for museum quality, your mind is not in the right place. It doesn't mean you get there, but at least it's the intent.
Certainly, writing a book was challenging. It took me a long time to learn how to do it. It took me seven years to get a sense of how to wean myself off the process and trickery of songwriting. You realize that giant metaphors work in songs because you have so few words. Standing alone on a page, they threaten to be overblown in a hurry.
