One thing we never did with 'Bad Company' was talk down to our reader. And we certainly don't do that with the new story, 'Bad Company, First Casualties.'
Work changes over time, as you change and the world changes.
The DCU Constantine has to be the guy we know and love, with his same failings - otherwise what's the point of using him? But as I'm writing him, he's younger and has perhaps been through a bit less than the battered, aging old sod we meet in Vertigo.
Any team that has Shade as their leader is bound to have a pretty directionless quality. But when Cyborg asks Shade to gather the Secret Seven together and help him stop the war between Wonder Woman and Aquaman, Shade agrees - albeit reluctantly.
I've always been interested in the Greek tragedies. A few years back, I re-read a translation of the 'The Oresteia,' and that stayed with me, and slowly this idea of using some of those old legends and plays to tell a new story about modern urban life began to form.
'Greek Street' is a very strange beast. I think of it as 'The Long Good Friday' meets 'Agamemnon.' A way of using those fantastically rich stories from Greek tragedy to take a look at our world and to explore some of the things I think about this world.
