Studios are designed to pull out all of that beautiful ambience you get from singing in a room, and then the engineer puts it back in digitally or through whatever machinery you've got.
I was asked to sing with Mavis Staples on a gospel compilation called 'Oh Happy Day.' And, you know, other than being totally intimidated at the prospect of singing with Mavis, I was honored. I don't really have much of a background in gospel music.
I love distracting myself, just like anyone else. But I also feel a more urgent need in myself to make an effort, to be present, and to try to be something that is in favor of life. Of human life.
I think there are times when a song can be a spiritual experience - just making music, in general, is pretty much that.
I don't fight my ability to sing sad songs: it's what I am good at, so I must be built for that.
I don't always like walking down the street and making sure that I smile and say hello to everybody who's walking their dog in the opposite direction. But I do do it. And it's a small, tiny thing to do. But to me, it means 'I see you. You're not invisible to me.'