Along the way, I've had different advice from different music producers. I've been told to tone it down, that the quiet parts of my voice are appealing and there's harshness to the loud part of my voice.
I was asked to sing with Mavis Staples on a gospel compilation called 'Oh Happy Day.' And, you know, other than being totally intimidated at the prospect of singing with Mavis, I was honored. I don't really have much of a background in gospel music.
I love distracting myself, just like anyone else. But I also feel a more urgent need in myself to make an effort, to be present, and to try to be something that is in favor of life. Of human life.
I think there are times when a song can be a spiritual experience - just making music, in general, is pretty much that.
I don't fight my ability to sing sad songs: it's what I am good at, so I must be built for that.
I don't always like walking down the street and making sure that I smile and say hello to everybody who's walking their dog in the opposite direction. But I do do it. And it's a small, tiny thing to do. But to me, it means 'I see you. You're not invisible to me.'