You can tell it's a poem because it's swimming in a little gel pack of white space. That shows it's a poem.
It's true that I don't rearrange that much in the fiction, but I feel if you change even one name or the order of one event then you have to call it fiction or you get all the credits of non-fiction without paying the price.
While I was writing I assumed it would be published under a pseudonym, and that liberated me: what I wrote was exactly what I wanted to read.
Until a friend or relative has applied a particular proverb to your own life, or until you've watched him apply the proverb to his own life, it has no power to sway you.
I really practiced hard and got to a certain level of technical proficiency. I overcame some of my limitations. I was a hard-working, dedicated bassoonist, but I have to say I'm not a natural musician.
From my music training, I knew that, some Spanish rhythms apart, 5/4 is a time signature used only in the modern era. Holst's Mars from the Planets is 5/4. But if you speak lines of poetry in that pattern you just end up hitting the off-beats. It's only when you add a rest - a sixth beat - that it sounds as it surely should sound.