I don't know why so many artists talk about the mainstream's problems from the fringe. I think, unfortunately, it's almost like our education makes us too safe and terrified to step into the world.
About the time I was 7, I got really into black-exploitation films, so I made my own Wonder Woman, but I made her black.
You either have to find a way to be really creative materially, or you better have a trust fund. And, last I checked, I didn't have a trust fund.
That's how I make work. Along the way, I take notes, I read about history and popular culture. Sometimes I act out things in the studio. I go back to my mother's hair salon so I can hear three voices going all at once. I pull inspiration from everything.
I've always been inspired by small details that make me wander. My mother would ask me, 'What are you looking at so intensely?' I would answer, 'Everything and nothing.' She really supported my wanderings, called me Marco Polo.
My mom was an orphan, and there was never anybody to tell her what she could or couldn't do. At the core, she's probably an artist - an artist and a feminist.
