With 'The Leftovers,' I was actually super, super lucky. It was my first major audition. When I came out, the casting director was kissing me on the face, and I was like, 'Oh, that's probably a good sign.'
I was one of those dancers who they say wants to feel the floor through their pointe shoes. I would end up not wearing toe pads and that stuff. I would just wrap minimal amounts of paper towels around my toes.
I explored the arts in general; I took painting classes and sketching classes and acting classes and all sorts of different things.
I think gender parity is a crucial part of any healthy society. It's applicable to the entire world.
It's a normal part of the culture of ballet to go to a nutritionist in your first few weeks. They write down everything you eat and use a little roller that pinches you to measure the fat all over your body. Then, every semester, you get a letter saying either you're too thin, or you're OK, or you're overweight.
Like every child of divorce, I had parent-trap fantasies. In fact, 'The Parent Trap' was my favourite movie. I was a Nineties baby, so I particularly loved the Lindsay Lohan version.
