I think what is magic about black-girl hair is, at its basic level, it's just resilient. It can go from straight to curly in the same day. It's just transformative. When you don't feel so strong, the hair can be a sign of empowerment.
I was nurtured by Ralph Farquhar and then, later, by Sara Finney-Johnson and Vida Spears, two black women. So, I actually was nurtured by my culture, in a safe environment that allowed me to build my confidence. And Debbie Allen was one of my mentors, along with Stan Lathan.
I often attribute my screenwriting to journalism because they drill in the who, what, when, where and why - but we really need to land on that why. That's what I've been exploring in my writing for many years and trying to get better at.
Sometimes, we only get to know someone as one aspect of who they are. Then you start peeling back the layers and understanding more and more about who they are - their vulnerabilities, their fears, their joys, all those other words that equal humanity.
I'm hoping that the legacy of 'Girlfriends' is just that you can enjoy and connect to Joan, Maya, Toni, Lynn, and William and see your humanity reflected in theirs. That's what I'm hoping that it did.
For me, I start at the place that my characters are human. I start at the place that they are onions that are layered and meant to be peeled, just as we as human beings are.
