My father's record collection was full of New Orleans music of all kinds. I used to listen to the radio in New York, and all there was on it at the time was Madonna and Michael Jackson, so it sort of passed me by.
I'm very conscious of developing my singing, technically and stylistically. I want it to become more individual, express more of me. That's my goal. These songs are steps along that way.
I think I was probably an early teenager when I discovered Bessie Smith, Ma Rainey and a bunch of people that are on a long list of artists. They were important to me, especially as an early adolescent.
My father had a varied ear, from Hank Williams to Ravel.
Seeing how those companies operate, it didn't amount to a massive vote of confidence in their artists. There was talk of me going to Columbia after that, but nothing happened. I got disillusioned, and I pulled back.
I listened to Billie Holiday a lot in order to learn to sing. She remains one of the extraordinary jazz singers. But my intent is to become my own voice, to be able to interpret these songs in my own way.
