If you make a strange, eccentric record - like the Velvet Underground's 'White Light/White Heat' - it takes on its own mood because it's less about a shrewd marketing plan; it's more about an individual emotion.
NYC is a wonderland full of passionate music fans. Once I got over being intimidated by rock critics and finicky hipsters, I realized that NYC was a great place to play.
I don't know if i have a 'take' on L.A. The music community is enormous, from the studio musicians to the bands trying to 'make it' to the indie bands... so many bands... it can be overwhelming. But it seems healthy.
It's cool to think about nursing, because a lot of people decide to go into it later in their lives. I could slip into school to be an LPN or an RN as a middle-aged man, and it wouldn't be unusual.
'One Part Lullaby.' It was our big major-label record. People reference it quite a bit, but it did absolutely nothing. It's like the 'Kids' soundtrack. It did nothing. It didn't start anything for me.
I hear people telling me a lot that the production of that particular record - 'One Part Lullaby' - really influenced them. I'm like, 'What? We were dropped from the label after that!'
