I don't think I always look in people's faces, like, as - I think especially when I'm doing my more intimate songs that are quite personal, I always feel it's a bit accusing if I stare in someone's face when I singing quite a personal lyric.
I listen to a lot of choral stuff at home, but I'm also liking Labrinth, Emeli Sande, Tom Odell and Wretch 32.
I think, when I started writing songs, my voice just became another tool. It wasn't something that I was going to try desperately to woo a listener. As long as I'm using my voice in a way that helps people understand what I'm trying to say, then I feel like I'm doing all right.
I regrettably wasted time at university by being overwhelmed and intimidated by the talent of other composers. I felt stuck and didn't know what I was doing there. I enjoyed my experience, but I didn't grab it in the way I would now.
I first played the Royal Albert Hall when I was 14. I was a violinist with the Birmingham Schools Concert Orchestra, and we travelled down from the Midlands for the last night of the School Proms. We played some pieces from the Harry Potter films, and the violin parts were really hard.
Topshop is one of my favourite shops, and I love shoes by Giuseppe Zanotti. There's a graduate fashion designer called Kate Falcus who makes me beautiful commissioned pieces - one of my favourites was the white Glastonbury dress she made me with the puffy skirt.
