Blending tracks and weaving and manipulating prerecorded music to create this mood, some people do it much better than others.
I DJ'd for years. I DJ'd in high school, and I think my parents thought it was a passing thing. And then when I was in my second year of college, I was like, 'Yeah, you guys don't need to send me money anymore. My DJ gigs are good enough. I'm selling music; I think I'm gonna have a record deal. I can pay my tuition.'
People don't listen to terrestrial radio. They don't find their music that way. They don't get their news that way. They go to blogs. They go through Sirius/XM. They go through all these different places.
When I can control my own show, I want the price to be affordable so fans can actually see me. It's a challenge because I have to do a lot of navigating to make the production stellar but do it on a realistic budget.
I think that most people who hire me to do a remix just want it to work in a nightclub, whereas when I'm writing my own album, I don't have to worry so much about 2 A.M.
The art of DJing is sharing music with one another... The technology's definitely taking it into a new direction to where it's really becoming performance-based.
