'Matterhorn' is my metaphor of the Vietnam War - we built it, we abandoned it, we assaulted it, we lost, and then we abandoned it again.
Really important books to me are the classics. I try very hard to read them well - you know, especially once I got serious about writing. So, reading Tolstoy several times - 'War and Peace,' 'The Kreutzer Sonata' - all those were really important to me.
When I first got back from the war, I said, 'I'm gonna write the Great American Novel about the Vietnam War.' So I sat down and wrote 1,700 pages of sheer psychotherapy drivel. It was first person, and there would be pages about wet socks and cold feet.
I grew up in Oregon, where as a teenager I worked with my grandfather Axel on his i shing boat at the mouth of the Columbia River.
I began writing 'Matterhorn' in 1975 and for more than 30 years I kept working on my novel in my spare time, unable to get an agent or publisher to even read the manuscript.
I don't want any romantics to go into the military. I'm not a pacifist. I think we need a military, and the better one we have, the better off we are. I don't want kids going in there thinking that it's John Wayne on Iwo Jima. That's not healthy.
