My philosophy on choreography is that the making of a ballet is a team effort, and we're in this together. It's not me hammering on them. It's more about how we can elevate this piece collectively to something great.
I'm really interested in working with groups. It's a very simple thing for me, and if I'm given the option to work with two people or 10 or 20 people, I'm going to take 10 or 20. I just think there's so much more I can do with that.
It's nice to have the support and infrastructure to do what I want creatively. That's kind of a rare thing to find.
There is something about Dior that reminds me of New York City Ballet. They both have a classic, glamorous basis but are trying to evolve the arts in new and innovative ways.
I love seeing New York City Ballet from the fourth ring, just seeing the architecture of how these bodies move from above.
My movement is usually about finding the balance between artistry, athleticism, and musicality. It always originates with a classical basis and expands outwards from that platform.
