There's nothing more Broadway than 'Hedwig.' It's very family-friendly. There's innuendo and stuff, but not more than you'd see on TV.
What's interesting is that some of the things I'm interested in talking about is a story which has to do with the second half of your life, which can be told through Hedwig's voice because she's older. If the timeline is consistent, she's as old as me.
People know what 'Hedwig' is now, and that's wonderful. It's not the same as being swamped for being on 'The Big Bang Theory,' but it's much more comfortable.
There's something cool about being a stealth classic.
Having been an actor in Hollywood for a certain amount of time, I always felt a pressure to be sort of a neutral person. 'Don't do anything to your hair. Don't tell them your age. Don't tell them you're gay. Don't tell them anything that could limit you, specify you as a person.' I always hated that, actually moved out of L.A. because of that.
Growing up, it was uncool to admit that your family had any money. And then, instantly, money was cool. In Reagan's parlance, it was about freedom of the individual, which was freedom to be greedy... individual versus society. There was a weird seduction in that, which I still feel.
