I've been wrestling with Kafka since I was an adolescent. I think he's a great aphorist, a great letter writer, a great diarist, a great short story writer, and a great novelist - I'd put novelist last.
When young writers approach me for advice, I remind them, as gently as I can, that they are on their own, with no help available anywhere. Which is how it should be.
I don't see how English as we use it in Europe can be revivified. It's like Latin must have been in about A.D. 300, tired and used up. All one can do is press very hard stylistically to make it glow.
I would be far more critical than any reviewer could be of my own work. So I simply don't read them.
I don't know if there is a personal identity. We all imagine that we are absolute individuals. But when we begin to look for where this individuality resides, it's very difficult to find.
The effect of prizes on one's career - if that is what to call it - is considerable, since they give one more clout with publishers and more notoriety among journalists. The effect on one's writing, however, is nil - otherwise, one would be in deep trouble.