I never do a whole new set of new material. I do one new joke at a time, and I wedge it in between two good jokes. Or if it's a long story, I don't do it in L.A. or New York; I do it in Kansas and Omaha, all these places I'm going this weekend.
For me, Mr. T and Donald Trump are the same sort of phenomenon - they're guys with catchphrases and wacky hair.
There's a theory with comedy that you shouldn't do anything that's too topical in your specials because people won't be able to watch them in five years. But I look at Trump in the same way I look at Mr. T. I can watch comedy jokes about Mr. T in the '80s and still understand what they're talking about.
I had a head injury when I was living in England; I was in the hospital for three days, and they didn't even ask for my name. I spent three days in there. And then, when I was done, I just got up and left. I wasn't a British citizen; I was there on a work permit.
I can go into New York and sell out a theatre, but I didn't have to fight my way to get there: I was already a made man from television. I sold out a theatre in London without any TV exposure, just word of mouth and being a good comic, and that was a much bigger sense of accomplishment than just being a guy from telly.
I still like to shock, but the jokes are less sexist. It's just that, at one point in my stories, there was some sense of pride, some enthusiasm, and now I'm just embarrassed by myself.
