I did an adaptation for a movie called 'The Devil in the White City' by Erik Larson for Warner Brothers. I love that book.
When I think of Sherlock Holmes, I think of a guy who can wander into the confusion of life and sort of pluck out answers at will.
A lot of biopics to me feel very much like someone is standing in front of the camera and is reading a Wikipedia page to you, like someone is reciting event. Did you know this happened? Did you know that happened? But Alan Turing's life deserved a sort of passionate film, and an exciting film.
When you use the language of 'fact checking' to talk about a film, I think you're sort of fundamentally misunderstanding how art works. You don't fact check Monet's 'Water Lilies.' That's not what water lilies look like; that's what the sensation of experiencing water lilies feel like. That's the goal of the piece.
I liked Columbia, but it was like high school in that there was this big social world that I was not part of. I existed on the side, far away. That might be temperamental, my own fear of large groups, more than anything else. But I had a handful of professors who meant a lot to me.
I love the filmmaking process. It can be loud sometimes, and people love having conference calls, so working on a book is the polar opposite. It's very relaxing.
