What I would hate to go through is what happened in the mid-90s playing in front of a half-empty theatre, which prompted me to say 'never again' when it came to Waterford. To go through that again in any of the places I call home would destroy me.
Song writing is very serious; it is hard.
I'd go to meetings with record companies - CBS, Decca, EMI. They'd tell me to wear a pair of jeans and grow my hair and look normal. And I'd say, 'Sod that,' and storm out. And I do think that belligerence is important when you're young.
The measure of success was writing a song, recording it and for it being in the hit parade in England. Success was about the postman walking up the garden whistling my song. I wasn't trying to conquer the world.
You see, I read reviews of people like Paul Simon, and they don't talk about the fact that he's looking old or whether he is fashionable; they talk about the music, which is how it should be.
What I can't understand is why people still won't give me the credibility that I look for. If Mojo or any other of those magazines would give me the credit for only ever performing my own songs rather than someone like Rod Stewart singing other people's songs looking for success.
