The film of tomorrow appears to me as even more personal than an individual and autobiographical novel, like a confession, or a diary.
I've always had the impression that real militants are like cleaning women, doing a thankless, daily but necessary job.
The film of tomorrow will resemble the person who made it, and the number of spectators will be proportional to the number of friends the director has.
In love, women are professionals, men are amateurs.
I am less instinctive as I try to be more professional - about the music, about the sound.
Hitchcock loves to be misunderstood, because he has based his whole life around misunderstandings.