I was a curious child. I'd debate with anyone who came to the door - people from the Islamic community... Jehovah's Witnesses... anyone.
I stay true because whatever the project is, I'm still looking for inside of that character. It's the thing that connects him to me and to everybody else. So, the search is the same. It's to unveil the truth, and that's how I stay true, because my purpose isn't altered.
I was in middle school right around the time the Bloods and the Crips started taking root in Compton and a lot of the other neighborhoods around me. I saw way too many of my peers - smart, kind, good kids - who got drawn into gangs and violence, and their futures were going to be forever scarred by that.
I fell through a stage once. I was doing a truly African dance, and all of a sudden, I hit the ground with my foot and went straight through the stage. I guess they didn't have much money, so the floor was kind of rotting.
When we talk about the issue of child soldiers, it can be easy to focus just on ending recruitment and liberating those boys and girls who are currently being held in military camps. Obviously, both of these are incredibly important goals, but it's also essential that we not forget about former child soldiers once they are liberated.
I've been fortunate, I guess: I've gotten to play a lot of very diverse roles for quite a long time. But in the beginning, I was thinking, 'I'm not gonna do certain characters. I will be willing to say no and live on a couch.' And I was really happy.
