I wish I was super-serious, anguished. I see those actors, and I am like, 'Oh God, they are so cool, and they seem so interesting.' I don't take acting that seriously.
I don't feel I was ever a 'famous' child actor. I was just a working actor who happened to be a kid. I was never really in a hit show until I was a teenager with West Wing playing First Daughter Zoey Bartlet. In a way, that was my saving grace - not being a star on a hit show. It kept me working and kept me grounded.
Obviously, my life and my job in 2010 is very different from Peggy's experience in the 1960s. I exist in a world that enjoys more equality between men and women. But I don't take any of that into my performance. I just want to play the character as who she is as an individual - scene to scene.
The great thing about Pete and Peggy's storyline is that you barely have to do anything. There's so much there, so much history, that you can have them exchange a look and it's so loaded. So you honestly don't have to do anything.
I love working with male actors, and I think there's a tendency to write really interesting characters that would work solely alongside men where they would be in a man's world and have to deal with that, and it creates a lot of interesting storylines. For me, it's kind of circumstantial, but I definitely enjoy it.
I like characters who have two different things going on, whether it is Robin from 'Top Of The Lake' having that strength juxtaposed with the vulnerability and being in pain, or whether it is Peggy from 'Mad Men' with her naivety and her sort of idiocy at times, combined with her intelligence and courage really to do what she did at that time.
