Think about Medusa, with the snakes. If you shoot a movie in Europe, the financiers are three snakes, and they all have opinions. In Hollywood there are, like, 20 snakes.
I always loved when James Stewart did roles that were not so dialogue-based, like 'Vertigo.'
If you just storyboard something, you've already planned it, and you're stuck in the limitations of your imagination.
When I was sixteen years old, I was sentenced to two years in prison; the Swedish government changed it, so I could go to a boarding school as part of a social programme. I was in this boarding school with some of the richest kids in Sweden.
I looked at early movies with Robert Redford, and I like how Robert, even though he had that automatic charisma and was a very verbal person, he always played those more silent characters and played within the scene and never overacted.
Almost always, when we have fights in movies, they're done in these strange rooms where nothing gets broken. It's almost like they're in padded cells.
