Almost always, when we have fights in movies, they're done in these strange rooms where nothing gets broken. It's almost like they're in padded cells.
I always loved when James Stewart did roles that were not so dialogue-based, like 'Vertigo.'
If you just storyboard something, you've already planned it, and you're stuck in the limitations of your imagination.
When I was sixteen years old, I was sentenced to two years in prison; the Swedish government changed it, so I could go to a boarding school as part of a social programme. I was in this boarding school with some of the richest kids in Sweden.
I looked at early movies with Robert Redford, and I like how Robert, even though he had that automatic charisma and was a very verbal person, he always played those more silent characters and played within the scene and never overacted.
Think about Medusa, with the snakes. If you shoot a movie in Europe, the financiers are three snakes, and they all have opinions. In Hollywood there are, like, 20 snakes.
