Place and displacement have always been central for me. A type of insecurity goes with that: you are always following the cues, like learning the dance steps when the dance is already under way.
As any of us approaches middle age, we inevitably come up against our limitations: the realization that certain dearly-held fantasies may not be realized; that circumstances have thwarted us; that even with intention and will we may not be able to set our ship back on the course we'd planned.
If I had to summarize, most broadly, my concerns as a writer, I'd say the question 'How then must we live?' is at the heart of it, for me.
For those of us whose thoughts digress; for whom unexpected juxtapositions are exhilarating rather than tiresome; who aim, if always inadequately, to convey life's experience in some semblance of its complexity - for such writers, the semi-colon is invaluable.
I had a memory span about as long as the lines in a school play.
When you're a kid, and someone is your best friend, you almost don't need words. It's almost like puppies in a - frolicking in a garden or something. You don't articulate stuff. You just live it.