I think it's OK if somebody likes my music and likes Sam Hunt's music, too. And I think if we're both selling records, it's good for everybody. I think it allows other records to get made.
The first time you listen to someone else's interpretation of what you've created, it's a little unnerving. They'll change lyrics or something almost every time. That's them being an artist, and you appreciate it more over time.
I was writing waltzes at a time when the most popular thing was Shania Twain and the very pop edge of country. I didn't really know how to do much of that.
I didn't have any expectations with 'Traveller' - I don't think anybody did. That's how I prefer the process to be.
I didn't know they would pay you money to sit in a room and write songs for other people. I always thought that George Strait was singing a song, he made it up, and that was the end of it. But the instant I found that out, that that could be a job, I thought, 'That's the job for me. I gotta figure out how to do that.'
I'm a fan of records. I'm a fan of listening to something cover to cover and not wanting to skip over anything.
