I always just try to write the best songs that I can at any given time, and sometimes those songs are for me, and sometimes they're for other people. And that's to be evaluated after the fact.
The first time you listen to someone else's interpretation of what you've created, it's a little unnerving. They'll change lyrics or something almost every time. That's them being an artist, and you appreciate it more over time.
I was writing waltzes at a time when the most popular thing was Shania Twain and the very pop edge of country. I didn't really know how to do much of that.
I didn't have any expectations with 'Traveller' - I don't think anybody did. That's how I prefer the process to be.
I didn't know they would pay you money to sit in a room and write songs for other people. I always thought that George Strait was singing a song, he made it up, and that was the end of it. But the instant I found that out, that that could be a job, I thought, 'That's the job for me. I gotta figure out how to do that.'
I'm a fan of records. I'm a fan of listening to something cover to cover and not wanting to skip over anything.
