I came to the plain fields of Ohio with pictures painted by Hollywood movies and the works of Tennessee Williams and Arthur Miller. None of them had much to say, if at all, about Dayton, Ohio.
I was about 12 when I first encountered 'The Moonstone' - or a Classics Illustrated version of it - digging through an old trunk in my grandfather's house on a rainy Bengali afternoon.
I was very fortunate that all my holidays I'd spend with my grandfather, experiencing a much more traditional way of life and listening to these wonderful stories, which I now feel are such an important part of Indian thinking.
I came from a traditional family, and it was an exciting but challenging transition to move to America and live on my own. The world around me was suddenly so different.
I have a variety of readers from across the diasporic community, not just from South Asia. I like to write large stories that include all of us - about common and cohesive experiences which bring together many immigrants, their culture shocks, transformations, concepts of home and self in a new land.
Perhaps what distinguishes my characters is their courage and spirit and a certain stubbornness which enables them to keep going even when facing a setback. I think this developed organically as I wrote, but also it came out of a desire to portray women as powerful and intelligent forces in the world.