I had a place to go to university; I was going to study history. I was in New York doing 'Arcadia,' and I suddenly thought, 'It feels a bit weird to go from a New York stage to Manchester University.' It didn't quite feel right.
When I was young, there weren't any teenage girls I could relate to in film. They were all put in boxes: the virginal good girl, the really sarcastic asexual one. I wanted to do something that represented how I felt then.
The movies I used to watch, I remember always being so angry because I felt like I, as a teenage girl, was never truly represented in a film. There were always bits of me that were represented - I'd watch 'Juno' and be like, 'Oh, well part of me is like that, but it's still not the whole thing.'
I feel like all teenagers can relate to that feeling of being, like, so highly strung, and everything is so on the surface, and everything is so extreme.
I want to play a range, from victims to strong people, just as long as it's a well-rounded character. And it's not a woman who's just there for the purpose of the man.
We try to push such crazy ideals onto young women: the Hollywood version of what they should look like, what they should do, and the kind of Prince Charming they should be looking for. We should just be proud of who we are, because we can't be anybody else. So what's the point of trying?
