Ambition, old as mankind, the immemorial weakness of the strong.
Damn you, spoilt creature; I shan’t make you love me any the more by giving myself away like this.
I am reduced to a thing that wants Virginia. I composed a beautiful letter to you in the sleepless nightmare hours of the night, and it has all gone: I just miss you, in a quite simple desperate human way. You, with all your un-dumb letters, would never write so elementary a phrase as that; perhaps you wouldn’t even feel it. And yet I believe you’ll be sensible of a little gap. But you’d clothe it in so exquisite a phrase that it would lose a little of its reality. Whereas with me it is quite stark: I miss you even more than I could have believed; and I was prepared to miss you a good deal. So this letter is just really a squeal of pain. It is incredible how essential to me you have become. I suppose you are accustomed to people saying these things. Damn you, spoilt creature; I shan’t make you love me any the more by giving myself away like this —But oh my dear, I can’t be clever and stand-offish with you: I love you too much for that. Too truly. You have no idea how stand-offish I can be with people I don’t love. I have brought it to a fine art. But you have broken down my defences. And I don’t really resent it.
With me it is quite stark: I miss you even more than I could have believed; and I was prepared to miss you a good deal.
It is necessary to write, if the days are not to slip emptily by. How else, indeed, to clap the net over the butterfly of the moment? For the moment passes, it is forgotten; the mood is gone; life itself is gone. That is where the writer scores over his fellows: he catches the changes of his mind on the hop.
I believe that the main thing in beginning a novel is to feel, not that you can write it, but that it exists on the far side of a gulf, which words can't cross; that its to be pulled through only in a breathless anguish. [VW]
Nothing shows up the difference between the things said or read, so much as the daily experience of it.
There are no signposts in the sea.
Authority has every reason to fear the skeptic, for authority can rarely survive in the face of doubt.
Among the many problems which beset the novelist, not the least weighty is the choice of the moment at which to begin his novel.
