South Bend is a nice town, but you know that phrase - 'I was homesick even when I was home.'
I've always thought of Denys Finch Hatton as a combination of Hubbell Gardner from 'The Way We Were' and Jeremiah Johnson. He is this ultimate individualist.
It would be a great vacation to act in a movie if I weren't directing it. But to do it while you're directing interferes with your concentration, and I wouldn't do that again.
Kubrick and I were pretty good friends.
Burt Lancaster was largely responsible for me becoming a director.
No country could claim to be civilized if its legal system weren't available to everyone in it.
We progress by leaps and bounds technologically, medically - we can live longer, we can... but you know, in the year 1230, they knew as much as we know now about the human heart.
Making a movie is a network of decisions that keep multiplying as you go. You leave a trail of decisions behind you, and that's how you start to see the shape of what you've done. When you get far enough, you turn around and say, 'Ha, that's the movie.' It's only then that you find out if it's going to work or not.
If I want to make people moved or cry in a film, I figure out what the room looks like, what the people are wearing, what time of day it is, what the light is, how to photograph it, where to put the camera. It involves optics and costume design and set design and architecture.
I will not ever say that it's good to start with too little preparation, because that's patently not true. But I don't rehearse the way a lot of directors do, to stage a scene in terms of manners and attitudes and lock them in.
What makes architecture extraordinary is that you're looking at the building, but your peripheral vision is also seeing how it fits within a space. And it's seeing more than one part of the building at one time.
This thing called chemistry, which I can't define and wouldn't know how to, either works or it doesn't. Sometimes a love story can involve very talented actors, but we are not invested emotionally in whether they end up together.
Stars are like thoroughbreds. Yes, it's a little more dangerous with them. They are more temperamental. You have to be careful because you can be thrown. But when they do what they do best - whatever it is that's made them a star - it's really exciting.
But, I've made films in Japan, in Yugoslavia, all over Europe, all over the United States, Mexico, but not Hollywood.