Quotes by "Stephen King"

One of the really bad things you can do to your writing is to dress up the vocabulary, looking for long words because you're maybe a little bit ashamed of your short ones. This is like dressing up a household pet in evening clothes. The pet is embarrassed and the person who committed this act of premeditated cuteness should be even more embarrassed.

I believe the first draft of a book — even a long one — should take no more than three months…Any longer and — for me, at least — the story begins to take on an odd foreign feel, like a dispatch from the Romanian Department of Public Affairs, or something broadcast on high-band shortwave duiring a period of severe sunspot activity.

As a young man just beginning to publish some short fiction in the t&a magazines, I was fairly optimistic about my chances of getting published; I knew that I had some game, as the basketball players say these days, and I also felt that time was on my side; sooner or later the best-selling writers of the sixties and seventies would either die or go senile, making room for newcomers like me.

As it happened, all three of us turned out to be real writers--a coincidence almost too large to be termed mere coincidence in a society where literally tens of thousands (maybe hundreds of thousands) of college students aspire to the writer's trade and where bare hundreds actually break through.

Sometimes you have to go on when you don't feel like it, and sometimes you're doing good work when if feels like all you're managing is to shovel shit from a sitting position.

Reading takes time, and the glass teat takes too much of it.

Description is what makes the reader a sensory participant in the story. Good description is a learned skill,one of the prime reasons you cannot succeed unless you read a lot and write a lot. It's not just a question of how-to, you see; it's a question of how much to. Reading will help you answer how much, and only reams of writing will help you with the how. You can learn only by doing.

I am, when you stop to think of it, a member of a fairly select group: the final handful of American novelists who learned to read and write before they learned to eat a daily helping of video bullshit.

It's about getting up, getting well, and getting over. Getting happy, okay? Getting happy.

For me, that emotional payoff is what it’s all about. I want you to laugh or cry when you read a story...or do both at the same time. I want your heart, in other words. If you want to learn something, go to school.

Membacalah empat jam sehari dan menulislah empat jam sehari. Kalau kau tidak bisa meluangkan waktu untuk itu, jangan harap kau bisa menjadi penulis yang baik.

remember Stephen King's First Rule of Writers and Agents, learned by bitter personal experience: You don't need one until you're making enough for someone to steal ... and if you're making that much, you'll be able to take your pick of good agents.

Fantasy fiction is essentially about the concept of power; great fantasy fiction is about people who find it at great cost or lose it tragically; mediocre fantasy fiction is about people who have it and never lose it but simply wield it.

The idea that creative endeavor and mind-altering substances are entwined is one of the great pop-intellectual myths of our time.

Writers are often the worst judges of what they have written.

One of the really bad things you can do to your writing is to dress up the vocabulary, working for long words because you're maybe a little bit ashamed of your short ones. This is like dressing up a household pet in evening clothes. The pet is embarrassed, and the person who committed this act of premeditated cuteness should be even more embarrassed.

What about reality, you ask? Well, as far as I'm concerned, reality can go take a flying fuck at a rolling doughnut. I've never held much of a brief for reality, at least in my written work. All too often it is to the imagination what ash stakes are to vampires.

There's an old rule of theater that goes, 'If there's a gun on the mantel in Act I, it must go off in Act III.' The reverse is also true.

Talent is a wonderful thing, but it won't carry a quitter.

It's how we see the world that keeps the darkness beyond at bay. Keeps it from pouring through and devouring us. I think all of us might know that, way down deep.