When I started doing drag, I always put together multimedia elements for live performance.
Even though I present myself at the height of glamour and beauty, part of my truth is being desperate and emotional and unafraid of being unattractive.
The political nature of 'Threepenny Opera' is immediately visible. I just think that that's not always a part of acceptable and fun entertainment that we're exposed to - that political side.
No matter what you're doing, whether it's a makeup tutorial or an interview or a lip sync, performance is the essence of drag. It is gender performance. Being able to produce a performance is what a superstar has to do.
I've always been committed to tuning out the trends of drag and doing styles and fashions and performances that are really true to what I love, to the movie references I've always loved, fashion that speaks to me for whatever reason - no matter what people say.
I went to Vassar College for undergraduate and studied literature and queer theory, and all of the above. And then I took a Fulbright scholarship in Russia.
Uniformity is not very interesting or sustainable - it's boring.