In the 74 years and nearly four months marking her time on what she called this crooked old Earth, my mother rarely drew a healthy breath. Still, to say that life wasn't fair for this awkwardly glib, yet deeply religious woman, would fail to take into account her towering instinct for survival.
Because of my methodology and my sensibilities to write songs, I'm not very comfortable with the notion to rush in any creative endeavor.
The way I made 'Diamonds and Dirt,' which had all those hits in a row, was that I was just making a record. It was just the one that rolled up in my natural process, and it happened to be commercial.
Invariably, collaboration leads to new forms of self-expression and to the things that move you.
Sustaining a narrative in sentences and paragraphs is very different from songwriting. But the dedication to the craft and just the endurance that it takes, you know, to stick with it and believe you can pull it out and make it real and finish it, I learned that a long time ago writing songs.
My mother's a very spiritual woman, and I think Pentecostal religion, Bible religion, was very important to her because it gave her a context for a very spiritual approach to life.
The more I'm dedicated to this work, the more I'm able to satisfy my deep need to create. And that's a pretty good thing. If you take half-decent care of yourself, that can propel you on into productive later years.
Memory is revisionist, you know. 'The Houston Kid' was based on true things that happened. But I know - from writing a memoir that I've been working on for awhile - that reconstructing memory is revisionism.
I've finally figured out how to make a Rodney Crowell record, and that's let it be, leave the mistakes.
Certainly, writing a book was challenging. It took me a long time to learn how to do it. It took me seven years to get a sense of how to wean myself off the process and trickery of songwriting. You realize that giant metaphors work in songs because you have so few words. Standing alone on a page, they threaten to be overblown in a hurry.
I concern myself with timelessness all the time. If you're not swinging for museum quality, your mind is not in the right place. It doesn't mean you get there, but at least it's the intent.
I don't know if I owned a toothbrush until I was 19, maybe. I didn't come from stock that placed any importance on the toothbrush. But a couple of girls I met changed that. And I would do anything to get a girl to pay attention to me long enough that I could feel good about myself.
I don't think that 'The Weight of the World' is all about politics. It's like, how the environment and how the natural topography of this planet would ever fall into a political division, debate, just leaves me confused.
There are certain choices you make as a songwriter, based on vowel sounds and melody and chord changes.
