I try not to repeat myself in fills in all the Rush songs unless it is something simple or something I feel is my own characteristic thing.
The government's only functions are to protect the rights of the individual; therefore, you need a police force and an army.
Once, I went speeding past an old couple and smiled as I imagined their conversation: him grumbling about me and her telling him not to be such an old grouch. Then, suddenly I was in tears, thinking, 'I'll never get to be a grumpy old grandpa!'
If I have to travel, I'm going to travel my way and travel in the real world. And I'm going to have conversations every day with people in rest stops and people in gas stations and people in hotels and diners. That nourishes me.
I sang the hymns, and I read the Bible stories, but I was always perplexed, like, 'Really? Jesus wants you for a sunbeam? For a what?'
People say to me, 'Are you still excited when you go on tour?' Should I be excited about leaving my family? No, and no one should. It's as simple as that. If you put aside the fantasy of it, it is what it is and has to be done. And that's fine, and I pour my entire energy and enthusiasm into it, but of course, I'm of two minds about the whole idea.
When I started playing, I played in R&B bands. I played James Brown, Wilson Pickett, Otis Redding and all that.
I believe in taxation and health care that is outside the usual libertarian mandate, because I don't want people to have to suffer. It's as simple as that.
The real test of a musician is live performance. It's one thing to spend a long time learning how to play well in the studio, but to do it in front of people is what keeps me coming back to touring.
Live shows were always religion for us. We never played a show - whether it was in front of 15 people or 15,000 - where it wasn't everything we had that night.
Too much attention and hoopla doesn't agree with my temperament.
To get nostalgic about other people's music, or even about your own, makes a terrible statement about the condition of your life and your prospects for the future. I have no patience with that kind of attitude, whether it's on radio or among friends.
I'm still no good at ball-and-stick games. If I go play golf with the guys, it's intended to be a joke.
If I go play golf with the guys, it's intended to be a joke.
Ever since I was a kid, I always wanted to play music that I liked, and even when I was in cover bands when I was a teenager we only played cover tunes that we liked. That was the simple morality that I grew up with.
Rudimental snare work is something I've always loved.
What I've learned over the years is that the craft of songwriting is trying to take the personal and make it universal - or in the case of telling a story, taking the universal and making it personal.
You have to know when you're at the top of your particular mountain, I guess. Maybe not the summit, but as high as you can go.
People don't realize the limitations of 200 words, and the way they get chiselled down into a song that has to be sung.