There are any number of very hard working people in Hollywood who deserve recognition. Mostly its the artisans and crafts persons - the 'below the line' workers - whose only reward is to be pejoratively labeled 'below the line' workers. I say get them all on the next thing smoking to Vegas for an all expense paid weekend of whatever.
Awards shows have devolved into self-parodies - liberals in limos, corny insider jokes delivered by the hosts among bad teleprompter reading from the some of the best thespians on the planet.
If there are two kinds of people in the world - DC Comics people and Marvel Comics people - what kind am I? Well, to be honest... I'm a Wildstorm kinda guy. In the interest of full and fair disclosure, I write for Wildstorm. But even if I didn't, I'd love what they do. No, seriously, I'd love their stuff.
I've no desire to start a movement, to be the first name on an open petition, or to be the poster child for disgruntled writers.
When I go to business meetings, I'm still told way too often by some receptionist, 'The mail room is downstairs,' to believe that racial perceptions don't still exist. But I figure there are always going to be knuckleheads no matter how many of their herd get stuck in the tar pits of progress.
From the moment we were first dumped in Jamestown and had our teeth checked before getting sold off and later considered three-fifths of a human being, an abundance of 'likability' hasn't been something blacks have had to stockpile. Instead, it's been a centuries-long battle for respectability.
Much as banks don't care where your money's coming from, the Electoral College is all 'don't ask, don't care' when it comes to votes.
If faux liberal white guys want to support and defend Obama, by all means please do so. But I would suggest they try to limit that support to matters of policy and not perspectives on race.
Seriously, you know - I love to write. I enjoy the process; I enjoy the different processes, because writing for film and television and graphic novels is all very different. So I've never had the feeling of, 'Oh, you have to do this one thing.'
To this day, the only argument against Obama that critics can seem to come up with involves admitting he's better than them - though they certainly season it with some racism. You know, he's that lucky black man who actually appeals to the populace. He's that elitist who got himself off food stamps and into Harvard.
I got a call saying that George Lucas wanted to meet me. Of all the phone calls I've received - Oliver Stone wants to meet you; Spike Lee wants to meet you - that was the one call I never in a million years thought was going to happen.
I didn't know I was a good director, and I mean that sincerely. I had done a film a long time ago called 'Cold Around the Heart.' Nobody saw it, and it didn't turn out the way I wanted to.
I love graphic novels - I love reading them, I enjoyed writing them, I would love to go back and do them again. I hope I'm savvy enough to do them in the right way.
There are still some people out there who believe comic books are nothing more than, well, comic books. But the true cognoscenti know graphic novels are - at their best - an amazing blend of art literature and the theater of the mind.
Governmental intervention and personal responsibility are not mutually exclusive issues, but they do frame a 'do it ourselves' vs. 'what are you doing for us' debate. For the black community, that's a debate that's been raging at least as far back as the W.E.B. Du Bois, Booker T. Washington philosophical grudge matches.
Even I haven't downed enough L.A. Kool-Aid to believe that somehow Hollywood movies are an overt instrument of morality.
At the risk of sounding like that old guy in 'Gran Torino' telling those 'young punks' to 'get off my lawn,' it's gotten to the point that whenever I hear somebody talking about Twitter or twittering or tweeting, it just makes my little tummy want to hurl.
Bad news: Complainers are rewarded for complaining. Indicative of the victim culture in which we live, people have not only come to expect something for nothing, but are then rewarded for how loudly they can ventilate their sense of having been victims of fraud.
'The Martin Show,' the 'Jamie Foxx show,' 'Living Single,' 'The Wayans Brothers,' 'Hanging with Mr. Cooper...' Some of these shows were good, some were typical television, but they facilitated a lot of work for blacks in front of as well as behind the camera. A lot of us in Hollywood thought it was the beginning of a real racial breakthrough.
There remains a degree of anti-black intellectualism in entertainment. Middle and upper-middle class blacks have often been portrayed as buffoons in popular culture; witness the characters of Carlton Banks on 'The Fresh Prince of Bel-Air' and Braxton P. Hartnabrig on 'The Jamie Foxx Show.'
