Quotes by "Isabella Rossellini"

Although Dorothy in Blue Velvet was humiliated and hurt by men, basically I could react to how she felt.

Animals are everywhere. Some are more romantic, like tigers and elephants and chimpanzees, and some are less romantic, like earthworms, but they are just as interesting.

Once I realised that my job as a model was to emote in front of the camera, I thought, 'Well now, I just have to add words, and I can do films.' But also, my success as a model made me more confident about becoming an actress because, just in case I failed, I thought, 'Well, you know, if I failed as an actress, I can do another job.'

In interviews, the first question I get in America is always: 'What do you do to stay young?' I do nothing. I don't think aging is a problem. What irritates me a little is growing fatter. It irritates me that if I eat what I want to eat, it shows.

I was always interested in animals, but when I was little, animal behavior was still a new science. It was available to become a veterinarian, it was available to study biology, but not specifically animal behavior. In the '60s, Jane Goodall was the founder of this new science.

The red carpet has become like a parallel business. The next day, there are TV programmes, and magazines, and it's all, 'Do you like the dress or not like the dress?' and 'Did she look fat?' To keep borrowing dresses and jewellery is like a full-time job. And you have to be a fantasy, which you can never be, so you always feel depressed.

When I was a teenager, I thought maybe I'll be a filmmaker, making film documentaries. My dream when I was a girl was I would be hired by 'National Geographic' or work with David Attenborough, but it didn't happen. I became a model.

That is the great pleasure of working with great directors. You get to look at the world through many different prisms. I guess I love talent, whatever form it takes.

There is this idea that you have to play heroines or women who succeed.

Mammals are very close to us, but bugs are strange. They're more mysterious and exotic.

My perfume, Manifesto, was based on the scent of basil.

I loved modeling. I absolutely loved it. I was so happy to get the cover of 'Vogue' - 23 times. I keep each copy. I made more money as a model than as an actress or as a filmmaker. In monetary terms, beauty pays more than anything.

In America, they are paranoid about ruining the reputations of people once they are dead and cannot answer back. They have this fascination which to me seems cruel and morbid. I do not want any part of it.

I grew up in a family of filmmakers, so I always wanted to make films about animals, especially comical films. Something about animals amuses me. And they have a great mystery. It's the same mystique some people might feel looking at the stars or the ocean.

It's a new business for me to be a filmmaker.

Market research shows that older women like seeing older women in ads, and that younger women do, too - because they see them and are not frightened of growing older.

When I grew up in Italy in the 1950s, it was still very agricultural. Food was very important; produce was very important. Everyone made their own olive oil. It took me a long time after I moved here to understand that Americans are much further away from their food.

I always have parmigiano-reggiano, olive oil and pasta at home. When people get sick, they want chicken soup; I want spaghetti with parmesan cheese, olive oil and a bit of lemon zest. It makes me feel better every time.

The secret of using makeup for fashion is to have fun with it. When people see that you are playful, that's attractive. Sometimes people apply makeup because they have bags under their eyes or because they don't feel good, and that just reads 'insecure.'

When I was young, it was difficult to imagine entering a world where my parents succeeded so much and I could have risked failing. It would have felt much harder.