I'm one of those people that is up for most things. When I was offered to sing at the Oscars I was like, 'Yeah, I want to know what that's like!' I'm always curious to know what things are like - as long as you're not compromising who you are.
When you're heartbroken, you're at your most creative - you have to channel all your energies into something else to not think about it. Contentment is a creativity killer, but don't worry - I'm very capable of making myself discontented.
I saw 'The Artist.' It's really beautiful and it's all done to the letter with all the silent film techniques. The costumes were amazing and the dog is so good.
I've always been attracted to romantic secondhand clothes. But my style developed as I started going to these strange raves where everybody had these very definitive costumes.
'Dog Days' was recorded with pens and the wall, and half a stolen drum kit that was out of tune, in what was basically a cupboard. The only instrument I could really play was my voice, so we just layered everything a hundred times. It was enthusiasm over skill.
I'm a light sleeper. I've never been one of those people who can put their head down and suddenly everything disappears. Nighttime is the time I get most scared, anxious or worried. In those darker moments before waking or sleeping is when I feel most, I don't know, I can turn on myself, and my imagination can take me dark places.
I'd experimented with so many different types of music. I had these folky songs I'd written and recorded, but something wasn't quite right.
I can't ever seem to shake the feeling that when things are really good it essentially means that things are going to go really bad. When I feel calm and settled, there is always an underlying feeling of impending doom... I don't think that it's healthy.
The aesthetic came along the way, I think - just through experimenting, and going on tour, and trying stuff out on stage, having fun with it, and not taking it too seriously. If I had a ballgown at home, I'd wear it onstage. If I found something in a charity shop, I'd wear it. That's where it grew from - just wanting to play dress-up.
I've got my ideal job. I like to sing, I like to dance, I like to bang drums and dress up, and someone pays me - it's incredible.
I think an encore is perfectly acceptable, but I find it so weird when people do two or three.
I quite like the drama of an encore. I think an encore is for those artists who are inclined to do dramatic gestures, and I certainly would say I am inclined towards them.
Music to me is so internal. It's physical and it's emotional. Whereas fashion is so much about the external that it's almost like a break. It's not inner turmoil. It's total escapism.
I think music should be scary. Music is an exorcism.
I used to dress like an eight-year-old boy. Traveling has inspired me to be more experimental.
The release of 'Lungs' was so hard. It was terrifying, because it was the first time doing everything. The first experiences of media exposure were almost paralysing. I spent a lot of time crying on the floor of the studio - it sent me a bit mad.
I'm down to bleach my eyebrows again. I tell you what, though - that didn't go down well with my boyfriend. Girls love it. Guys, not so into it.
I got to live out my 11-year-old fantasies - I got to go on stage with Green Day. Billie Joe called my name from the stage. 'Dookie' was the first album I ever bought. I covered the whole of 'Nimrod' and he'd heard it. That was like the 11-year-old girl dreamed.
It's very flattering when you look into the crowd and people have made an effort and dressed in your style.
I love Lady Gaga and I love Katy Perry and R&B and rap music... I love big, American pop music.
