In 1933, the Gestapo was founded to become - to be a secret police agency to keep tabs on political opposition and so forth. Brand-new as of April 1933.
In Washington, we had a grieving President Wilson, very, very much a lonely, grieving man. He had lost his wife of many years in August 1914 at about the same time the war broke out in Europe.
What is clear is that in 1900, Galveston was growing fast, had already become the number one cotton port on the Gulf Coast, and was already being referred to as 'the New York of the Gulf.'
The Nazis hijacked the Jewish thing early on by defining it as 'the Jewish problem' and started looking for a solution. These are not just words.
To me, nuclear weapons are the secret crisis of our time. Frankly, everyone needs to reread John Hersey's 'Hiroshima.'
It was David McCullough's 'The Johnstown Flood' that lit my imagination as to how I might one day go about writing book-length nonfiction, though my favorite of his books is 'Mornings on Horseback,' about the young Teddy Roosevelt.
I've been asked a lot lately what message is there in the Lusitania for the modern day. To be honest, not much. Except that maybe hubris and overconfidence are always dangerous things.
I do think hubris played a role here as well, the belief that the Lusitania was too big and too fast to ever be caught by any submarine, and that, in any case, no U-boat commander would think to attack the ship because to do so would violate the long-held rules governing naval warfare against merchant shipping.
The Lusitania is a monument to this optimism, to the hubris of the era. I love that, because where there is hubris, there is tragedy.
When I'm considering an idea, and there is an element of hubris involved, I generally feel comfortable that it's going to be a good story. Pride goeth before a fall. It's an element of a lot of big stories.
Isaac Cline was a creature of his times. He embodied the hubris of his times and, in many ways, was a victim of the storm, not just in material ways - loss of a family member and damage to the town - but also in metaphoric terms.
The head of the hurricane research division, Hugh Willoughby, told me that hurricanologists can predict the behavior of storms if those storms behave predictably.
The one place where I do think our culture today has to be extremely careful is this whole thing about illegal aliens. Because any time you start defining a significant block of the population as 'others,' or as less than you, you start getting into dangerous waters.
Digression is my passion. I'm not kidding. I love telling the main stories, but in some ways, what I love most is using those narratives as a way of stringing together the interesting stories that people have kind of forgotten and that are kind of surprising.
I knew Berlin would have to become a kind of character in my new book, 'In the Garden of Beasts'. I had felt likewise about Chicago when I wrote 'The Devil in the White City' and Galveston with 'Isaac's Storm'.
I pride myself on having a journalistic remove.
I read a book called 'Transatlantic', which is a history of the great shipping lines. Also, of course, I had read about the Titanic and saw Leo drowning at the end of the 'Titanic' movie and all that stuff.
My life! That's a long story, too. I was born in Brooklyn, New York, like half of the world, I think.
My secret weapon is my wife. She's the best judge. She's a scientist and a natural reader. We've developed a detailed code for how she marks a manuscript, and I think it's what saves me from wild digressions.
The most painstaking phase comes when the manuscript is set in 'type' for the first time and the first proofs of the book are printed. These initial copies are called first-pass proofs or galleys.