When you put an individual on the cover of a big picture magazine, like 'Life of Look', their career skyrocketed. As a photographer, you were very empowered; people came to you, bowing to you and what you represented.
I believe Photoshop is in some way the contemporary darkroom, the creative area that all photographers have available today.
I have a genuine philosophy. I do not want to make negative pictures about people, and so I do everything I can to help make them feel comfortable in front of the camera. That is what is going to control your picture, because you are alone if your subject is not with you. And that's the simple answer to getting a good picture.
It's fundamental to succeed in coming into contact with your subject. Whether it's a big Hollywood star or a passer-by in the street, it makes no difference.
I consider myself very lucky. I'm known for photographing celebrities, but, in a nutshell, my first love is photography.
