Fiction is too beautiful to be about just one thing. It should be about everything.
If we were to lose the ability to be emotional, if we were to lose the ability to be angry, to be outraged, we would be robots. And I refuse that.
I think people ease into this careerist professionalism, so if you're a writer it's your job to manufacture books as opposed to writing them and to go to festivals and spend your life emotionally invested in reviews or the awards. You have to shrink your universe in a way. To me, it's the opposite.
I'm not ambitious. I don't want to get anywhere, I don't want anything more. I sometimes think that for me that is the real freedom, that I don't want anything. I don't want money or prizes. I want people to know that a war is going to be fought.
I think one of the saddest things that's happening to literature is that it's getting over-simplified by this diet of simple political ideas.
When you say things like, 'We have to wipe out the Taliban,' what does that mean? The Taliban is not a fixed number of people. The Taliban is an ideology that has sprung out of a history that, you know, America created anyway.
To me, there is nothing higher than fiction. Nothing. It is fundamentally who I am. I am a teller of stories. For me, that's the only way I can make sense of the world, with all the dance that it involves.
The amassing of unfettered wealth of individuals and corporations should stop. The inheritance of rich people's wealth by their children should stop. The expropriators should have their wealth expropriated and redistributed.
Democracy no longer means what it was meant to. It has been taken back into the workshop. Each of its institutions has been hollowed out, and it has been returned to us as a vehicle for the free market, of the corporations. For the corporations, by the corporations.
If you're happy in a dream, does that count?