The joy of making a genre film is that you have audiences in that place, and it's a perfect place to start because all it takes is finding ways to startle them out of that complacency and encourage a different kind of engagement.
The idea of witches has always scared me because of the idea that there are Machiavellian forces out there that conspire to hurt others. There are people who do not have your best interest at heart and are actively willing to do harm to you and actively sending energy in that direction.
I love Lars von Trier. 'Dogville' is my favourite movie of the last 20 years. 'Nymphomaniac' and 'Melancholia' aren't quite as exciting as 'The Kingdom', 'Breaking the Waves', or 'The Idiots', but I'll always love him for being him.
The way I work is, I always compose a shot list before I talk to anybody, including my DP. So I'll spend a couple months basically creating the movie in my head, so I have a very solid film in my head, where I know every shot, and I know what the transitions between scenes are.
I'm very impressed by films like' Whiplash' or what Fincher does, where you get all these different... Where you get all this coverage that's perfectly linked up. I actually find coverage very confusing. But I love sequencing shots because I know exactly where I am.
I like to play with transgression and upending conventions, and I like the idea of rooting genre films in character.
