My lens of choice was always the 35 mm. It was more environmental. You can't come in closer with the 35 mm.
I'm more interested in being good than being famous.
As fantastic as it is to have 'Vogue' and 'Vanity Fair' as places to work, I don't often get to shoot the kind of things I like to photograph in the way I like to photograph.
Coming tight was boring to me, just the face... it didn't have enough information.
When I started working for Rolling Stone, I became very interested in journalism and thought maybe that's what I was doing, but it wasn't true. What became important was to have a point of view.
When I started working for Rolling Stone, I became very interested in journalism and thought maybe that's what I was doing, but it wasn't.