The score is not a bible, and I am never afraid to dare. The music is behind those dots.
I studied with Felix Blumenfeld, who had studied piano with Anton Rubinstein and composition with Tchaikovsky. Felix, my professor, was the right hand of Anton Rubinstein. Blumenfeld knew his playing by heart, from every angle.
I may play the same program from one recital to the next, but I will play it differently, and because it is always different, it is always new.
Life is very busy now. I find that in today's cities, the public is very tired after working the whole day. When concerts start at eight o'clock, the wife pushes the husband to go to the concert, where some promptly fall asleep!
I loved singing. But can you imagine my voice in an opera house?
Scriabin, as you know, is a mystic composer. His music is supersensuous, superromantic, and supermysterious. Everything is super; it is all a little overboard. Anyway, my parents were pleased that I played for him.
