I still go on YouTube and watch the old performances and the 'Soul Train' lines. I'm still amazed by how much soul and funk the music and dancers had.
Thanks to many great K-pop singers, the groundwork has been laid for more Korean songs to be readily accessible to an overseas audience via channels like YouTube.
We are all amateur attention economists, hoarding and bartering our moments - or watching them slip away down the cracks of a thousand YouTube clips.
I watch a lot of YouTube makeup tutorials. I also watch a lot of channels where all they do is eat inhumanly huge amounts of food. I'm trash, basically, is what I'm saying.
When I saw that Google bought YouTube for $1.65 billion, I was dumbfounded! Why would Google get into bed with thieves? They've built a huge audience on the backs of copyright holders - and then they say I have to monitor them?
The YouTube revolution isn't a revolution in content consumption, although there's a huge number of content consumers. It's about how anybody with a camera or a smartphone can create a video and share it with the whole world.
The literary world has to compete with YouTube, Instagram, PlayStation, Xbox, Hulu.
Hulu understood how much content costs. By remaining defensive, YouTube is losing various aspects of video - long-form, for example - to other companies.
I work in a studio with lots of young people, most of whom are my former students. We delight in trading YouTube videos! We all stop working to watch them. I'm totally addicted to anything with kittens and puppies, but 'Very Scared Kid' is one of my favorites.
It's hard to sell merchandise off YouTube.
The Obama campaign has adeptly used YouTube and social networks as a relatively thrifty way to do targeted messaging.
Big Shaq stems from my YouTube series 'Somewhere in London.' I just wanted to create something that was multi-character and multi-dimensional.
The new artist is meeting the general public before they meet the record company. They're able to put the material on YouTube and have a million views before they even meet an executive at a record company, and get the deal based on that.
I had no clue on what I wanted to do when I was younger, so I was pretty lucky with this YouTube thing.
The strange thing was, when I was starting on YouTube, even the paradigm of YouTube and Internet sensation - or whatever - that didn't really exist. So I didn't even know that that was a thing.
By the time I'm in the studio recording my parody, 10,000 parodies of that song are on YouTube.
I started out poking fun at this YouTube thing.
When I was 13, I posted a video of myself singing a Bruno Mars song on YouTube.
Everybody's got their phone up and everybody's taking recordings and posting it on YouTube and whatever and sending it to you, and it gets shown around the world.
So many things that I was excited about as a kid were about proximity. The idea that somebody could grow up in rural Iowa and be into break dancing because of YouTube - that was a really simple, profound idea.